When Elia Suleiman brought his film Divine Intervention to Ramallah he found the Israeli soldiers had got there first. The entrance to the cinema had been bombed, the cash till rifled, the Dolby stereo stolen. It was never going to be easy for a Palestinian to film in the West Bank. Elia Suleiman tells The Guardian’s Xan Brooks how he became a hit-and-run director . Read more about 'When we started shooting, so did they'